Javier Marchán

Dec
22nd
Thu
Meditation On the Ethers # IX
Watercolor on Cotton Paper, 185 gr. 30 x40 cm, 2011
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

Meditation On the Ethers # IX

Watercolor on Cotton Paper, 185 gr. 30 x40 cm, 2011

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


Aug
29th
Mon

I

The day when Gaia

  Has tilted neither away from

Nor towards Sol,

  A golden cloud

In the shape of a ram

  At her blue sky arrives.

A touch of sparking gold

Dripping and sopping,

  Fountain of water

Springs into a tambourine.

  Abra thy rhythm, O Gaia,

  Thou be’st beat of creation.


When the cloud is in its fall,

  It melts the ram

And far above in the Heavens

  Bawl is heard.

Sol returns exalted

  So that trees awake

Wearing garlands of green.

Blue iridescence,

  Harmonía from hummingbirds,

Trine, sextile, quintile

  Melodic chirp, O Gaia

  Thou art sound inspiration.



II

From the galactic centre

  Being dreamed over a lotus

Via Lactea whirls a spiral.

  As above so below,

New fronds uncurl the ferns

  To salute the light,

Namaste

And not very far,

  A Cornucopia filled with ambrosias,

Flowers, fruits and grains.

   These are riches of plenty

   From thy Garden of Delights.


With vegetation comes Abundance

  With Abundance comes her Guardian.

The Guardian masters a spear

  With which Chiron initiated him once.

A winged helmet won his head

  ‘Cos when the Guardian inhales air,

He attracts receptivity.

As for all the air the Guardian exhales,

  It makes the fields to sake

For cattle to make a space

  So that broad-breasted Abundance

  Can churn foam from their milk.



III

Churnest Abundance, churnest

   Thou dost of all foam the featherest!

So feathery the foam,

  Into aerial sphere ascends

Whence in the radius of its orb,

  The Angel that Conjoins Duality

From the Heavens descends.

Out of his mouth, a butterfly

  For Abundance, rainbow and crown.

And the bee the Angel sets free,

  Angelic pollination

  Triumph shall spring.



When the vespertine flowers

  Open in full bloom,

Soma the Guardian drinks.

  Glow on his lips,

So while he undresses her,

  Kiss Abundance does not resist.

Their dance of cosmic grace

Vibrates through subtlety.

  All the breath heaved

Waxing Luna collects;

  Luna molds it into a pearl

  For Oceanus when she is waning.



IV

Among the sparkling waters

  Three-thousand Sirens

Blow from below,

  A chariot pulled by sea-horses

Rocks Mother Womb

  Through colonnades of moonlight,

That in silver bath

Temples of coral

  Where Nymphs sang

Inspired by deity

  Song sailors sing,

  Mother Womb makest thy nest…


… Inside the belly of Whale.

  Nine natural steps

To nourish seed into fruition,

  From involution of space

To love infinite.

  So werest thou created

Water breaking, fluid out flowing

Through the blowhole of the whale.

  Up in the air,

It crafts asanas

  And the Heavenly Windows open wide

  Blessing brightest golden light.



V

When the newborn arrives

  Twelve sunbeams illuminate

A diadem of laurel.

  Trumpets, harps and bells,

Rotation of Glory

  Of the Angels of Paradise.

From marvel of Joy

His palace walls are made.

  Golden Kingdom embroider

Of roses and parades,

  For people to shake palms

  From the middle of their hearts.



Love he bestows to all below him,

  Loved he is by purity above him.

Four elephants over a tortoise

  Hold the Pillars of Vitality

That sustains the ark

  For thy children, O Gaia,

To raise the vibration

Of a multi-fold of petals

  Through fire and earth.

Through winds. The oceans.

  Petals uncoiling seven ethers

  Awaken the Third Eye.

     

The Day when Gaia Javier Marchán 2011



Jun
15th
Tue
Agua, LIX (The Celestial Flowing Principle of the Opening of the Waters)
Pigment and Water on Cotton Paper, 185 gr. 26x36cm, 2010
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

Agua, LIX (The Celestial Flowing Principle of the Opening of the Waters)

Pigment and Water on Cotton Paper, 185 gr. 26x36cm, 2010

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


Lavender
Oil on Canvas, 80x80cm, 2008/2009
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

Lavender

Oil on Canvas, 80x80cm, 2008/2009

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


May
6th
Wed
Tender Breeze Nine Angel Wings
(Free-Fall Compositional Study Series)
Foam in free-fall pieces, glass, framed, four hanging possibilities, 90x90cm, 2004, rotative geometry
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

Tender Breeze Nine Angel Wings

(Free-Fall Compositional Study Series)

Foam in free-fall pieces, glass, framed, four hanging possibilities, 90x90cm, 2004, rotative geometry

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


Feb
27th
Fri
Night and Petals (Vespertine Painting)
Oil on Canvas, 60 x 60 cm, 2006
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

Night and Petals (Vespertine Painting)

Oil on Canvas, 60 x 60 cm, 2006

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


Lilies and Curtains (Matutine Painting)
Oil on Canvas, 60 x 60 cm, 2006
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

Lilies and Curtains (Matutine Painting)

Oil on Canvas, 60 x 60 cm, 2006

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


Two Seasons
Oil on Canvas, 80 x 80 cm, 2007/2008
Signed Back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.
The first joy of the year being in its snowdrops, the second, and cardinal one, was in the almond blossom, - every other garden and woodland gladness following from that in an unbroken order of kindling flower and shadowy leaf; and for many and many a year to come, my chief prayer for the kindness of heaven, in its flowerful seasons, was that the frost might not touch the almond blossom.
John Ruskin, Hern Hill  in Praeterita and Dilecta, Published in the United States by Alfred A. Knopf, a division of Random House, Inc, New York and Canada. Published in the United Kingdom by Everyman’s Library, London 2005; p.45 

Two Seasons

Oil on Canvas, 80 x 80 cm, 2007/2008

Signed Back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.

The first joy of the year being in its snowdrops, the second, and cardinal one, was in the almond blossom, - every other garden and woodland gladness following from that in an unbroken order of kindling flower and shadowy leaf; and for many and many a year to come, my chief prayer for the kindness of heaven, in its flowerful seasons, was that the frost might not touch the almond blossom.

John Ruskin, Hern Hill  in Praeterita and Dilecta, Published in the United States by Alfred A. Knopf, a division of Random House, Inc, New York and Canada. Published in the United Kingdom by Everyman’s Library, London 2005; p.45 


The Walk 
(Triptych, panel III)
Oil on Canvas, 80 x 80 cm, 2006/2008
Signed back: Javier Marchán
Courtesy of the artist.
Copyrighted image, all rights reserved.

The Walk

(Triptych, panel III)

Oil on Canvas, 80 x 80 cm, 2006/2008

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.


Jun
4th
Wed
Between Soup and DriftJavier Marchán 2006Mural composition in vinyl, dimensions 500cm height x 184cm diameter; spiral geometryPhotograph: Harold Koopmans
Wall House # 2 Foundation , Architecture: John Q. Hejduk
If one gyrates, rotates ellipses with sufficient energies they become a straight line moving from space to space, from time to time. The original curvature is unseen but nonetheless felt.   John Hejduk, in Soundings, a work by John Hejduk; (preface by Wim van den Berg) First published in the United States of America in 1993 by Rizzoli International Publications, Inc, N.Y. -p.17

Between Soup and Drift
Javier Marchán 2006
Mural composition in vinyl, dimensions 500cm height x 184cm diameter; spiral geometry
Photograph: Harold Koopmans

Wall House # 2 Foundation , Architecture: John Q. Hejduk

If one gyrates, rotates ellipses with sufficient energies they become a straight line moving from space to space, from time to time. The original curvature is unseen but nonetheless felt.   John Hejduk, in Soundings, a work by John Hejduk; (preface by Wim van den Berg) First published in the United States of America in 1993 by Rizzoli International Publications, Inc, N.Y. -p.17


Lotus - Twelve and The Secret Walkway(Study of Planar Capacity and Allegoric Possibility at Wall House #2)figure 10 of 12, Silk Screen UV, 70 x 50cm, artpaper 400gr. exclusive edition of 30, signedPublished by Foundation Wall House
© Javier Marchán 2006

Lotus - Twelve and The Secret Walkway

(Study of Planar Capacity and Allegoric Possibility at Wall House #2)
figure 10 of 12, Silk Screen UV, 70 x 50cm, artpaper 400gr. exclusive edition of 30, signed
Published by Foundation Wall House

© Javier Marchán 2006


Egg
Javier Marchán 2006Egg shape , acrylic light paste, structure, 91 cm x 68 cm x 68 cm; organic geometryPhotograph: Harold KoopmansWall House #2 Foundation

Egg

Javier Marchán 2006
Egg shape , acrylic light paste, structure, 91 cm x 68 cm x 68 cm; organic geometry
Photograph: Harold Koopmans
Wall House #2 Foundation


Whispers the Milk of GoldJavier Marchán, 2004Artistic intervention: Javier MarchánCurator: Heidemarie CaltikDubsky room installation designing artist: Donald JuddCurator: Christian Witt-DörringMAK Museum of Applied / Contemporary Art, AustriaPhotograph: Stefan Zeisler

Whispers the Milk of Gold
Javier Marchán, 2004

Artistic intervention: Javier Marchán
Curator: Heidemarie Caltik
Dubsky room installation designing artist: Donald Judd
Curator: Christian Witt-Dörring
MAK Museum of Applied / Contemporary Art, Austria
Photograph: Stefan Zeisler