Javier Marchán

May
6th
Wed
XXI, La Naturalidad Contemplativa Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009 Signed back: Javier Marchán Courtesy of the artist. Copyright: Javier Marchán

XXI, La Naturalidad Contemplativa

Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009

Signed back: Javier Marchán

Courtesy of the artist.

Copyright: Javier Marchán

IX, La Naturalidad Contemplativa Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009 Signed back: Javier Marchán Courtesy of the artist. Copyright: Javier Marchán

IX, La Naturalidad Contemplativa

Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009

Signed back: Javier Marchán

Courtesy of the artist.

Copyright: Javier Marchán

VIII, La Naturalidad Contemplativa Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009 Signed back: Javier Marchán Courtesy of the artist. Copyright: Javier Marchán

VIII, La Naturalidad Contemplativa

Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009

Signed back: Javier Marchán

Courtesy of the artist.

Copyright: Javier Marchán

IV, La Naturalidad Contemplativa Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009 Signed back: Javier Marchán Courtesy of the artist. Copyright Javier Marchán

IV, La Naturalidad Contemplativa

Graphic pencil on paper 220gr, 29 x 42 cm, 2008/2009

Signed back: Javier Marchán

Courtesy of the artist.

Copyright Javier Marchán

Feb
27th
Fri
Night and Petals Oil on Canvas, 60 x 60 cm, 2006 Signed back: Javier Marchán Courtesy of the artist. Copyrighted image, all rights reserved.

Night and Petals

Oil on Canvas, 60 x 60 cm, 2006

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.

Morning, Lilies and Curtains Oil on Canvas, 60 x 60 cm, 2006 Signed back: Javier Marchán Courtesy of the artist. Copyrighted image, all rights reserved.

Morning, Lilies and Curtains

Oil on Canvas, 60 x 60 cm, 2006

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.

Two Seasons Oil on Canvas, 80 x 80 cm, 2008 Signed Back: Javier Marchán Courtesy of the artist. Copyrighted image, all rights reserved. The first joy of the year being in its snowdrops, the second, and cardinal one, was in the almond blossom, - every other garden and woodland gladness following from that in an unbroken order of kindling flower and shadowy leaf; and for many and many a year to come, my chief prayer for the kindness of heaven, in its flowerful seasons, was that the frost might not touch the almond blossom. John Ruskin, Hern Hill  in Praeterita and Dilecta, Published in the United States by Alfred A. Knopf, a division of Random House, Inc, New York and Canada. Published in the United Kingdom by Everyman’s Library, London 2005; p.45 

Two Seasons

Oil on Canvas, 80 x 80 cm, 2008

Signed Back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.

The first joy of the year being in its snowdrops, the second, and cardinal one, was in the almond blossom, - every other garden and woodland gladness following from that in an unbroken order of kindling flower and shadowy leaf; and for many and many a year to come, my chief prayer for the kindness of heaven, in its flowerful seasons, was that the frost might not touch the almond blossom.

John Ruskin, Hern Hill  in Praeterita and Dilecta, Published in the United States by Alfred A. Knopf, a division of Random House, Inc, New York and Canada. Published in the United Kingdom by Everyman’s Library, London 2005; p.45 

The Walk (Triptych, panel III) Oil on Canvas, 80 x 80 cm, 2006/2008 Signed back: Javier Marchán Courtesy of the artist. Copyrighted image, all rights reserved.

The Walk

(Triptych, panel III)

Oil on Canvas, 80 x 80 cm, 2006/2008

Signed back: Javier Marchán

Courtesy of the artist.

Copyrighted image, all rights reserved.

Jun
4th
Wed
Between Soup and DriftJavier Marchán 2006Mural composition in vinyl, dimemsions 500cm height x 184cm diameter; spiral geometryPhotograph: Harold Koopmans Wall House # 2 Foundation , Architecture: John Q. Hejduk If one gyrates, rotates ellipses with sufficient energies they become a straight line moving from space to space, from time to time. The original curvature is unseen but nonetheless felt.   John Hejduk, in Soundings, a work by John Hejduk; (preface by Wim van den Berg) First published in the United States of America in 1993 by Rizzoli International Publications, Inc, N.Y. -p.17

Between Soup and Drift
Javier Marchán 2006
Mural composition in vinyl, dimemsions 500cm height x 184cm diameter; spiral geometry
Photograph: Harold Koopmans

Wall House # 2 Foundation , Architecture: John Q. Hejduk

If one gyrates, rotates ellipses with sufficient energies they become a straight line moving from space to space, from time to time. The original curvature is unseen but nonetheless felt.
 
John Hejduk, in Soundings, a work by John Hejduk; (preface by Wim van den Berg) First published in the United States of America in 1993 by Rizzoli International Publications, Inc, N.Y. -p.17
Twirl of Fan (Lotus)© Javier Marchán 200612 & The Secret Walkway(Study of Planar Capacity and Allegoric Possibility at Wall House #2)figure 10 of 12, Silk Screen UV, 70 x 50cm, artpaper 400gr. exclusive edition of 30, signedPublished by the Wall House Foundation

Twirl of Fan (Lotus)
© Javier Marchán 2006
12 & The Secret Walkway
(Study of Planar Capacity and Allegoric Possibility at Wall House #2)
figure 10 of 12, Silk Screen UV, 70 x 50cm, artpaper 400gr. exclusive edition of 30, signed
Published by the Wall House Foundation

Egg Javier Marchán 2006Egg shape , acrylic light paste, structure, 91 cm x 68 cm x 68 cm; organic geometryPhotograph: Harold KoopmansWall House #2 Foundation

Egg

Javier Marchán 2006
Egg shape , acrylic light paste, structure, 91 cm x 68 cm x 68 cm; organic geometry
Photograph: Harold Koopmans
Wall House #2 Foundation

Elsewhere →

12 & the Secret Walkway →

Wall House #2: Towards a Fourth-Dimension of the Sensible →

Thought Provoking, Sense Provoking →

Exhibition History and Bibliography →

Wall House #2, Groningen →

MAK - Museum of Applied Arts / Contemporary Art, Vienna →

MAK - Center for Art and Architecture, Los Angeles →

CAT - Contemporary Art Tower, Vienna →

Tate Modern →

Tate Liverpool →

Mimosa’s Candlestick Javier Marchán, 2004Artistic intervention: Javier MarchánCurator: Heidemarie CaltikDubsky room installation designing artist: Donald JuddCurator: Christian Witt-DörringMAK Museum of Applied / Contemporary Art, AustriaPhotograph: Stefan Zeisler

Mimosa’s Candlestick
Javier Marchán, 2004

Artistic intervention: Javier Marchán
Curator: Heidemarie Caltik
Dubsky room installation designing artist: Donald Judd
Curator: Christian Witt-Dörring
MAK Museum of Applied / Contemporary Art, Austria
Photograph: Stefan Zeisler